Pilin Anice is a dance and yoga instructor, performing artist, and model. Pilin is passionate about helping others tune into their highest self by improving their health and wellbeing. From universities to community organizations, she has guided students of all ages in the sacred movements of yoga and dance through a range of workshops and classes. She has been featured on Good Morning America, The Today Show, BET/CentricTV, and YogaXpress. Pilin earned her 200 Hour RYT at Reflections Yoga in Guatemala and is certified in holistic nutrition as well as Thai Massage Therapy. For over 14 years, she has studied with masters of West African dance, Dunham Technique, and dances of Haiti, Cuba, and Brazil. Her passion for yoga and dance led her to become a certified Afro Flow Yoga™ instructor, which she has taught in the US and abroad.
Sanchel Brown is a dancer, choreographer and actress within NYC and Philadelphia. She has obtained her BFA from Virginia Commonwealth University and extensively studied movement of the African Diaspora in Senegalat L’Ecole De Sable. She has also studied commercial Hip Hop performance under the direction of Rhapsody James and Nicco Annan. Sanchel is a freelance artist with an array of performance experience including Urban Bush Women (Apprentice 2014), “Black Nativity” (Theatre Horizon 2015, New Freedom Theatre 2016), “JAMAICA The Musical (New Freedom Theatre 2016),”Chuck Davis Fellowship” (BAM 2017) and “Ode To Black Wombman” (National Tour 2017). She has recently completed the 2018 Jazz Residency at The Kimmel Center as a soloist and is currently a part of the cast of the touring work “Let ‘Im Move You” with choreographer Jumatatu Poe. She is a 2014 Barrymore Award nominee for Best Lead Actress in a Musical and winner for Best Ensemble for her outstanding performance as “Mary” in Theater Horizon’s production of “Black Nativity” Sanchel’s versatile and creative vision has expanded her artistic voice as choreographer in Yale Dramat’s “Dreamgirls” (2017), New Freedom Theater’s “Black Nativity” ( 2016), and her self produced work “Ode To Black Wombman” (2017). “Bmore Afro” has been taught in many schools, universities, and studios including Princeton University, Mark Morris Dance Center, Yale University, University of the Arts, New Orleans Center for Creative Arts, Dancing Grounds, New Freedom Theater ,and University City Arts League.
Funmilayo was born in Brazil and grew up in Guyana. She has traveled extensively to Nigeria and Ghana, where she lived and studied dance for three years. She’s also visited the Congo, the motherland of her ancestors. From 1987 to 1992, she was a member of the only traditional Congolese dance company in New York City, Malaki MA Congo. Funmilayo has been teaching Congolese dance for almost 20 years in New York City and is the director of F.U.S.H.A. Dance Company, founded in 1995. In 1996, she won the Ethnic Dance Award for best African dance instructor. Funmilayo has also studied Ballet, Modern, Tap, Sabar, Guinean, Haitian, Afro-Cuban, Afro-Brazilian, Dahomey and Dunham dance. She is employed by the Department of Education and teaches ethnic dance to pre-k through 12th grades. Funmilayo realizes that the ancient dance of the Congolese people, combined with the creative movements and sounds of their descendants, have shaped the culture of many music and dance styles in the Diaspora, including Samba, Salsa, Hip Hop, Reggae, Calypso, Cassav, Jazz, BellyDance, and popular dances like the Electric Slide and even Michael Jackson’s Moonwalk. She was inspired to form F.U.S.H.A. Dance Company to empower and educate people in the healing powers of dance, and to celebrate the richness of dance and culture from Africa and the Diaspora. Funmilayo and F.U.S.H.A. Dance Company have performed at Harvard University and Alvin Ailey, as well as in Jamaica, Sweden and Italy.
Aimee is a certified Yoga instructor, RYT 500, E-RYT 200 and professor of Anthropology and African American Studies at Yale University. She loves to move as part of and with community because she believes that yoga is for all and that movement is both healing and empowering. Aimee is also a certified Stott Pilates instructor in beginning to advanced matwork. She teaches with a sense of joy and humor combined with a strong thematic focus that integrates play as a part of holistic wellness and creative challenge. People have said that her classes are as freeing as dancing in your living room with no one watching. She trained on scholarship with the Dance Theatre of Harlem and danced professionally with Ailey II. Aimee can’t wait to move, breath, explore and laugh with you!
Careitha Davis is a Brooklyn native representing the twin islands of Trinidad and Tobago. She has trained and worked with numerous choreographers and dance educators in New York while also keeping in touch with her cultural roots under the guidance of Shakira Marshall. Recently, Careitha received her MA degree in dance education for grades K-12. She currently teaches at Success Charter Academy, Creative Outlet Dance Theatre of Brooklyn and now Cumbe!
Vado has danced since the age of four, learning the dance and drum traditions of his Mahouka people. At an early age, he was initiated into becoming the keeper of the sacred mask dance on stilts, Gue-Pelou. This distinction brought him to the Ballet National de Cote d’Ivoire, where he became a principal dancer for more than 15 years. Vado learned over 60 ethnic dance and drumming traditions from the Ivory Coast and other West African countries. His repertoire elevated his career to eventually choreographing and touring extensively throughout Africa, Asia, Europe and Australia. In 1989 he established L’Ensemble Kokiegna d’Abidjan, which has resided in New York City as the Kotchegna Dance Company since 1994. In Vado’s native language Mahou, ’kotchegna’ means messenger. His troupe’s goal is to inspire joy and understanding through the power of dance and drum, promoting the exchange of culture worldwide. He continues to strengthen his experience as a choreographer, artistic director, teacher and performer. He also takes part in many educational programs for children in New York City schools and beyond. For more information, go to www.kotchegna.com.
As a priest of Yemaya in the Santeria religion, Tony Domenech is frequently called upon to dance for Yemaya. Tony began singing, dancing, and acting in school performances at an early age and was involved with various off-Broadway theater companies such as TADA and AMAS, which brought him to start freelancing as a dancer and singer for community and social events. He studied Afro-Cuban folkloric dance with Xiomara Rodriguez, Rita Macias and the late great Pupy Insua. One of Tony’s notable performances was dancing onstage as Shango with the great Latin Jazz artist, Bobby Sanabria. Tony is also co-director of SalsAshé, which combines Afro Cuban dance and salsa who has presented work at the NJ and NY Salsa Congresses for the last 9 years.
Stevie Insua is an electrifying performer and an engaging, patient, and effective teacher for students of all levels, from beginner to advanced. He is skilled in rumba, Afro-Cuban folkloric dance, and popular dances of Cuba and Latin America such as mambo and son. He has an extensive knowledge of Afro-Cuban percussion and song. Stevie graduated from Escuela Nacional de Arte, Cuba’s most prestigious performing arts conservatory, and he performed with Conjunto Folklorico Nacional de Cuba throughout Cuba and internationally. Stevie lived and taught in Italy for 10 years before relocating to New York. His father was the legendary rumbero and Afro-Cuban dancer Felix Pupy Insua.
Nadege “Nado” Jackson is from the Ivory Coast, grew up in France and has been an African dancer for more than 15 years. Her love of African music and dance inspired her to learn modern, Jazz, Hip Hop, Salsa, Samba, Soukouss, N’dombolo, Zouglou and traditional dances from the Ivory Coast like Gbegbe, Té Maté, Kaoka, and Zaouli. She was the lead dancer of the Afro-Caribbean dance group NASSUCO and has performed various dance styles at many music festivals and stadiums. She has choreographed and danced for various popular African and Caribbean musicians including Awilo Logomba, Sekouba Bambino, Barbara Kanam, Sakis and Orlus Mabele. She has also performed and toured in over 14 countries as well.
Julio Jean is a renowned master Haitian dance teacher and choreographer with 20 years of experience, and blends traditional Haitian forms with modern and contemporary dance to create compelling movement narratives.
Julio studied with Lavinia Williams, a company member of Katherine Dunham, at the National School of Arts in Haiti. In 1989, he moved to New York City, and worked directly with Katherine Dunham teaching traditional Haitian dance for her teacher trainings. He has been a guest teacher at Webster University in Saint Louis and Humboldt University, and has taught workshops in San Francisco, Milwaukee, and at the Dance New England Dance Camp in Poland, Maine. Among other venues, Julio’s performances have been seen at Alvin Ailey for National Dance week and at SummerStage in 2010. Julio is also a songwriter and composer and released the album, “Kenbe la,” which encompasses the panorama of traditional Haitian music.
Yaminah Legohn, a passionate and dedicated choreographer, professional dancer, and performer of West African, Dancehall/Reggae, Hip Hop, Jazz and Modern dance styles. She lives in New York City and holds a degree from San Francisco State University in Speech Communications and Dance, with an emphasis in choreography. Before moving to New York, Legohn worked in Los Angeles as a choreographer and professional dancer with artists such as Shakira, N.E.R.D, Tony Toni Tone, Lil Wayne, and B.o.B. along with appearances on TV shows. Legohn has shown work in the Black Choreography Festival in the Bay Area, American College Dance Festival, SoulNation Festival in Indonesia, Choreographer’s Ball “Carnival” in Hollywood and New York, World of Dance, San Francisco International Hip Hop Festival, and RAW Artists in Los Angeles and New York. Simply put, she lives to spread her love and passion for the arts.
Born in Rio de Janeiro, Brazil, Danielle started dancing at the age of seven at the Dance School Centro de Rio de Janeiro, Brazil. There she studied ballet, jazz, tap, modern, national, and international folkloric dance. She also performed with G.R.E.S. Beija-Flor, the largest samba school in Rio, for several years. She’s performed contemporary pieces in the Opera O Guarani with The Rio Dance Company and has been lead dancer Rodry Baiano Dance Group. Danielle has also worked with Ringling Choreographer Tony Stevens.In New York City, she has taught ethnic dance workshops and joined Djoniba Dance & Drum Centre as a teacher of Brazilian Samba. In 2005, she founded the Brasileirando Dance Group, a company that focuses on disseminating Brazilian folkloric and contemporary dances.
NY Chicago Style Steppers
Formed in 2007, they are the original creators of the Steppers Set in New York & New Jersey. The group has taught, workshopped, demonstrated, and expanded Chicago Style Steppin’ throughout the 5 boroughs as well as New Jersey, and they love what they do. They have collaborated with various community organizations, businesses, and dance associations, and appeared as special guests on local media outlets and at cultural events along the East Coast. They are excited about teaching new students and engaging more communities. For more information about them, go to: www.chicagostylesteppersnyc.com
Dr. Darian Marcel Parker is a choreographer, author, and entrepreneur who has presented work at venus such as Riverside Theater, Harlem Stage, Triskelion Arts, and York College. He produced and was one of the choreographers of “The Power of the Unknown—An Evening of Choreography,” which debuted in January of 2016. He has been awarded the Jerome Foundation Travel Grant to study music and dance in Mali, the Harlem Stage Fund for New Work, and the New Haven Arts Council Mayor’s Grant. His show credits include the Hollywood film “Step-Up 3D,” the G’Bassikolo Mexican National Tour, the Fats Waller National Tour, Dance African Chicago, and Dance Africa New York. Dr. Parker has also worked with various dance companies, including Les Ballet de Kouman Kele (Nzingha Camara), Sewee African Dance Company (Mouminatou Camara), Harambee Dance Company (Sandella Malloy), Kouffin Keneke African Dance Company (Aly Tatchol Camara), and Organic Magnetics (Maija Garcia). He has served on the faculties of Forces of Nature Dance Theatre’s Youth Arts Academy, Harlem School of the Arts, Ifetayo Cultural Arts Academy, and Inner Visions Dance Studio as a Malian and Guinean dance instructor.
Danys “La Mora” Pérez
Danys “La Mora” Pérez is a master of Afro-Cuban folkloric dance from Santiago de Cuba, and has special expertise in the unique styles of her native region of Oriente province. La Mora was a member of Cuba’s national folkloric ballet company, Cutumba, for 18 years, and was granted the designation of primera bailarina and primera profesora by the National Dance Commission of Cuba. She is the founder and artistic director of Oyu Oro Afro-Cuban Experimental Dance Ensemble in New York City.
Ousmane Sall is a master dancer/choreographer and drummer from Senegal, West Africa. He is accomplished in all Senegalese styles of drum and dance and specializes in the Kutiro rhythms. He was born in Senegal to a traditional drum and dance family and was formally trained at the National Dance Academy. He performed for many years in Senegal with the second national dance group of Senegal, National Ballet Senemew, as well as with Silimbo D’Adeane.
Continuing his career in New York, Ousmane has performed extensively at venues such as: The United Nations, Carnegie Hall, Lincoln Center, Alice Tully Hall, Symphony Space, The Florence Gould Hall, The Jewish Heritage Museum, Town Hall, Lincoln Center’s Summer Stage and Damrosh Park.
Ousmane has performed with various dance groups, including Sing Sing Rhythms and Maimouna Keita Dance Company, and later formed his own group: YAKAR Roots and Rhythms African Drum and Dance Ensemble. YAKAR has dazzled many audiences in the past five years including performances at ZEYBRAH’s annual Moment In Time Festival at the Schomburg Center for Research in Black History and Culture. Ousmane has also performed and taught workshops at schools, festivals and clubs throughout the United States. He appeared in Bruce Willis’ film, Tears of the Sun and was a percussionist on Hasidic New Wave’s CD From the Belly of Abraham. He taught for many years at Fareta Dance Studio and Djoniba Drum and Dance Center in New York, and currently teaches classes and workshops nationwide.
Lamine Thiam is a world-renowned dancer, choreographer, drummer and actor, and specializes in West African Dance from his native Senegal and neighboring countries, including rhythms such as Sabar, Djembe and Bougarrabou. He has graced the stage at venues worldwide including Carnegie Hall, Symphony Space, The United Nations and Lincoln Center (NY), as well as theaters in Japan, Germany, London, Mexico and the Caribbean.
Lamine is happy to be back in New York, bringing love to his Sabar students!
Brooklyn born with island roots from St.Vincent & the Grenadines, Azriel Wallace fell in love with the arts at an early age. Her talents range from dancing to singing to writing to choreographing. Hailing from John Dewey High School’s Dance Ensemble, Azriel studied under the late Eleo Pomare. She has worked with artists such as Shaggy, Bruck Up, Jencarlos Canela and was also a featured dancer/model for G-Shock and BET’s Rip The Runway. She experienced the joy of performing with the Queen of Soca music, Alison Hinds. Azriel has even opened up for Machel Montano and choreographed/danced for Kerwin Du Bois. As a teaching artist certified in group fitness, Azriel has dedicated the last 6 years to spreading Soca dance culture to the masses. She is currently the artistic director of a dance company titled The Bacchanalists and will continue pushing the genre forward.
Pena Verde is from Salvador, Bahia, Brazil. He started playing Capoeira when he was 15 years old with Mestre Sabia, the coordinator of The Association of Ginga Mundo Capoeira. Pena has been teaching Capoeira for 9 years. He taught Capoeira classes to children and adults in Salvador, Brazil, Barcelona, Spain, Berlin, Germany, and Paris, France. Currently, he teaches in New York City, at Community Roots Charter School, The Co-op School and Essex Street Academy High School. He has also taught at Bronx International High School, P.S. 372, The Children’s School, Brooklyn Friends School and the Tribeca Community School. Pena believes that Capoeira has been responsible for transforming the lives of people all over the world. For this reason, he is thankful for the opportunity to teach Capoeira in New York City.